>>> Clarence Hogan on Metal Sculptures 
 WE> This wasn't a cute Cupoid tale, but an opportunity to Pan you. -) 
 CH> OH!  OK white boy!  :()
What you's talking race?  Is you white Christian or is you black Christian or 
is you merely gray agnostic?
 
 WE> Hm, must have missed your alternative adulterated alliteration.
 CH> Nope, you didn't miss it, cuz I left it out on purpose!  :)
There ya go again, with a purposely proposed pretension. -)
 
 WE> Indeed, metal sculptures are my favorite.
 CH> What tunes do you play?
If you lucky you get five tones all within reach and all sounding good.  The 
limits imposed by reaching around have much to do with what can be played.  
Also the notes aren't usually in any scale.  The point is not tune but 
rhythm.  Finding four of five good tones is like tuning four of five drums, 
but as the arms and legs have to reach those locations, rhythm becomes the 
drive.  Once you get it a bouncing, whoop ya up some tuning.
Now you got me jamming, me gets a few buddies about a large sculpture and we 
start a hoppin' and athumpin' and bumpin'.  Why shucks, were it near a bus 
stop we'd nearly miss our bus. -)
... the wizard that can change dark into light and back again into heavy.
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