In msgs on February twenty-fourth and twenty-fifth at breakfast
A.M. o'clock you wrote to me :
>Sorry, having some system problems and I lost my Qwk Mail Offline
>Reader so was unable to quote your last message.
I hope you can solve it. I found my Miniscribe internal HDD was o.k.
last week after opening the computer and reseating its controller card
and some other multipin connectors. This is really gratifying -- not a
virus causing seek type errors, but a loose wirus.
>I wanted one that would blend well with my Legacy mains and center.
I remember reading you had a Legacy subwoofer; now that you've reminded
me. And since you seem to have a largish room (viz. 11m cable remark)
you can use more dynamic range. Have you moved the Legacy mains to the
rear, and using the sub in place of the Carvers' LF ends?
Bonnie Goodwin's note,
(cut)
BG>I follow your thinking, that the sub's crossover would be "ideally
>set" from the factory, but then, is there anything keeping the lows
>from going to your mains, too? Perhaps you might want to roll off
>the bass going to your mains which can be responsible for a lot of
>intermodulation distortion problems.
bears thinking about while,
JA> I am playing with the idea of a rear channel sub for Dolby Digital.
>But I haven't made any decisions yet. The deep base information in the
>rear channels is supposed to be full range and seperated from the front
>channels. But we will have to see if there will be enough to warrant
>the expense of building/buying one. Your thoughts?
One might low pass filter (high pass too) rear & front and center
channels and sum LFs to the effects "+1" channel sub-woofer if it can
do the work. The hard part is all the connectors, heh heh. Monster
Cable has a brainstorm with color coded home theatre wiring.
...
* ATP/qwk 1.42 * The hole and the patch should be commensurate.
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* KMail 3.10m 1996: The year of the BBS!
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