Alexander Koryagin to Anton Shepelev:
AK> Although the fact that Englishmen talk words quicker
AK> than Russians is obvious when we watch American movies.
Well, I certainly do not get that impression from such TV
shows as "What's my line?" and "You bet your life". But I do
have trouble understading English speech -- for want of
practice, no doubt.
AK> For instance, when I read textbooks I have no pleasure,
AK> but I know they are useful.
I try to pick enjoyable textbooks that are a pleasure to
read, such as the grammars by Nesfield, Baskerville &
Sewell, and Goold Brown. Or open that famous book on calcu-
lus -- Chrystal's "Algebra" -- to see why it is a standard
recommendation for all programmers: Crystal shows, and by
example encourages, crystal-clear reasoning.
AK> A great subject is not necessary.
I never said it was. If fact, I agree with Akira Kurosawa in
that it is not the plot, but the execution of the plot. Ray-
mond Chandler put it simpler: a good plot is one that makes
for good scenes.
AK> For instance, I read now "The Gun Seller" by Hugh Lau-
AK> rie. A usual not very bright subject, but the language
AK> is super, great, marvellous and original.
Not now, but I will.
[after looking it up in Wikipedia]
Whooops: I see it is very recent, and not a short story but
a novel. Usually I do not read books by living authors to
avoid any hype and let the cultural aftermath settle down.
It is easier for me to start from a short story, as it does
not require a serious commitment of time. Speaking of Hugh
Laurie, I am more likely to try P.G. Wodehouse's stories
about the immortal Jeeves & Wooster.
AK> Somebody in heaven and under earth like serials very
AK> much. All life on Earth is a big serial. Besides, there
AK> are some serials in Russia which are very pretty,
AK> stylish and certainly are worth to be seen once. For in-
AK> stance, the serial about a cool, stylish Russian fashion
AK> firm and quite ugly, but very clever girl who went to
AK> work there. Speed it up by 1.5 times and you will have a
AK> good hearing training, without boredom.
I am sorry, but any modern Russian TV series means boredom
to me: no acting, no sound, no cinematography, no varation.
They give me neither spiritual nor aesthetical gratifica-
tion. I feel deeply ashamed for the state of the film indus-
try in my country. One need only watch the excellent "The
Lark" (1965) and its horrible modern remake commercially
named "T-34" (2019) to realise the depth of degeneration.
Only low-budget or no-budget indie movies sometimes manage
to come out any good, but they very rare.
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