Continued from the previous message...

f-|*-5/6---6---6/7---7----7/8---8----8/9---9---8/9-----9/10-*|
a-|--3/4---4---4/5---5----5/6---6----6/7---7---6/7-----7/8---|
d-|----------------------------------------------------------|
 
        "We call this the Mr Bungle chord," Schaffer explains, showing the
chord that Korn use for their movable tritone diad, like in example 11
You can also add a double of the low note an octave higher, like in 
example 12. This can be seen in action by a glance back at example 2.
 
 
*Example 11* - 'Mr Bungle Chord' two note version
                        x  xxx
                        ______
                        |x|||| - root
                        ||x||| - flat fifth
                        ||||||
 
 
*Example 12* - 'Mr Bungle Chord' three note version
                        x   xx
                        ______
                        |x|||| - Root
                        ||x||| - flat fifth
                        |||x|| - root
                        |||||| 
                        
        The intro to "K@#%!" (LiP), (example 13), is totally comprised 
of 'Mr Bungle' chords. After doing this for a short while, they revert 
back to power chords, hammering the riff, as shown in example 14.  
 
*Example 13*
 Tune down whole step
d-|-------------------------------------|
g-|-------------------------------------|
c-|*-----------------------------------*|
f-|*-----------------------------------*|
a-|--11\10---9---8---8---8/9\8---8---8--|
d-|--10\9----8---7---7---7/8\7---7---7--|
 
*Example 14*
 Tune down whole step
d-|-------------------------------------|
g-|-------------------------------------|
c-|*-----------------------------------*|
f-|*-----------------------------------*|
a-|--5\4-----3---2---2---2/3\2---2---2--|
d-|--5\4-----3---2---2---2/3\2---2---2--|
 
        Example 15 is the shape of the chord being strummed at the start of 
"Blind" (Korn). Basically it is a tritone chord (E in this case), and is 
played on the D G B strings (example 16), with a low B thrown in at the 
second fret on the A string. This all adds up to dissonance as it definately 
jars with the Bb note. In isolation, we can see that these two notes, 
(example 17), create an interval a half step short of an octave, or namely 
a major seventh. This is our third of our trio of evil intervals.
 
*Example 15* - "Blind" intro chord
                        x    x
                        ______
                        |||||| 
                        |xx|||
                        |||x||
                        ||||x| 
                        ||||||
              Fingering: 1124
 
*Example 16* - E Tritone chord
                        xx   x
                        ______
                        |||||| 
                        ||x||| - Root
                        |||x|| - flat fifth
                        |||||| 
                        ||||x| - Root
                        ||||||
              Fingering:  124       
 
*Example 17* - moveable major 7th diad
                        x x xx
                        ______
                        |||||| 
                        |x|||| - Root
                        |||x|| - major 7th
                        |||||| 
 
 

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--- TriToss (tm) Professional 11.0 - #229
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