JA>        From the vintage of your equipment, I cannot say with
JA>any
JA>authority that different speaker cables, upgraded patch cords
JA>between
JA>your gear and two channel sound card nor replacing the "bare
JA>wire
JA>speaker connectors" with 5 Way Binding Posts, would make ANY 
JA>difference. I would not believe that the "hum" in your system
JA>is being caused by the type or gauge of wire nor termination.
JA>        With that said, I believe I would still go ahead and
JA>replace the "bare wire speaker connectors" with a good
JA>quality
JA>spade lug or 5 Way post. This change is very inexpensive and
JA>simple
JA>to execute with a minimum of time and tools.
JA>        Were I to get the bug and change speaker cables I
JA>wouldn't 
JA>go to anything more exotic than something like the Tara Labs
JA>Klara
JA>cable at $.79 (US) per ft. I have an old Dynaco Amp that I
JA>just love.
JA>It is far from the best amp available, and even was a mid
JA>priced
JA>amp back in the 70s when it came into being. But it has a
JA>wonderful
JA>warm sound and it sits and plays in a place of honor in my
JA>office,
JA>where I listen to it for hours on end. 
JA>        When I first acquired the amp I was like a little kid
JA>at Xmas
JA>and almost had the lid off before I got it in the house. I
JA>was 
JA>horrified to see the wiring and quality of wire used in its'
JA>manufacture. Yet it sounds great. What would I gain by
JA>putting
JA>really primium grade cables on the outside when the inside
JA>looks
JA>like a Radio Shack odds and ends sale? Probably nothing.
JA>        I ended up using Monster Interlink 200 balanced patch
JA>cords and original issue Monster Cable speaker wires, and
JA>doubt anything else would sound better. What is outside will
JA>not improve what is inside.
JA>        My main system is a different story. I heard a
JA>difference
JA>that I liked between the Monsters and the Tara Labs that I
JA>finally 
JA>selected. But my individual pieces of equipment and speakers
JA>all
JA>have excellent wiring, terminations and binding posts. So
JA>cable
JA>upgrading seemed more logical.
JA>        Cables and terminations are a very hot topic among
JA>engineers
JA>and some of our "golden earred brethren". I have spent many
JA>hours reading
JA>both sides of the subject. And as a result I am more confused
JA>than when I started. I just go with my ears and to hell with
JA>everyone else.
JA>        Guess that isn't really much help, but if you get
JA>tired of that
JA>"vintage" equipment, give me a shout.
JA>Cheers, John
 
 
JA>--- Maximus/2 3.01
JA>(1:114/260)
Hey!  Thanks for the response.  I suppose, minimumly, upgrading to "state of
the art" would be the "ultimate" solution for the problems of 60 cycle hum 
nd
all that that my Yamaha P-2200 is giving off on its own lately without the
attenuators full on and the Crown IC-150 completely turned off.  You have to
literally stick yer head in the speaker to hear it, however, but it does now
do this after 20 odd years of faithfull service.
My aux power amp is a very used McIntosh 2105 that makes more hiss than a
roomful of rattle snakes.  But it disappears after the first few notes and a
comfortable volume both in speakers and headphones of which I do most of my
listening.  Santa (wife) bought me the Sony MDR-V600 stereo headphones this
Christmas and I hear stuff I ain't ne'r heard before.  But none of it is bad.
I wonder what is out on the market these days that would be good equipment?
My system has a very flat frequency response and I do not know whether 
oday's
systems are colored or whether flat response is a selling point, what with
today's crappy music needing so much bass response and lack of strings
sections, brass sections, etc.  Hey!  My old Horowitz vinyls sound better to
me than the CD re-issues.
- Pedit Ver 2.2
--- GEcho 1.20/Pro
(1:369/8)
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