In beginning my quest to make a $ensible upgrade to my existing
Carver CD player I have run across a couple terms/items I don't fully
understand in relation to the digital world.
First. I presently have the Carver CD player the followed their
"Digital Time Lens" technology with "Soft EQ". The Soft EQ has a very warm
and pleasant effect on older CDs and some of the newer ones that are of
lesser recording quality. I assume from my manual that the "Digital Time
Lens" is the forerunner of the "Soft EQ" where it synthesizes that portion
lost from the
"L-R" during the record process and replaces it. ??????
Next. I have run into several terms to describe the digital cables
that run between pieces (transport/DAC/AJ etc). I see
"coaxial...RCA...Coaxial RCA....Optical....and others that are just describes
by letter abbreviations. Then there are some proprietary formats like the one
Audio Alchemy uses that cuts out one complete conversion in transporting the
signal from Anti Jitter to DAC. The "digital resepticle on the rear of the
Carver CD player looks like nothing more than an RCA patch cord plug, as does
the rear of the Laser Disk Players I have looked at. Whats what? And more
especially: What is the best format and the one I should be looking for in
the transfer of the signal?
I see the jitter factors listed for DACs equipment with anto jitter
circuitry as being ".50" and the majority of the external units between .35
and .20. What is a level I should be concerned with and is this factor like
THD in that at some point it becomes meaningless, inflated/deflated. depends
on how it is tested and with what other equipment, etc? To date the
explainations I have read have been wishy washy and uninformative. Not much
help to someone who needs to (in this case) get the "LEAST" bang for the
uck.
Digital cables, while expensive, offer less choices for length than
do the high end patch cords. In my system I could easily get by with .5/.6
meter cords. As I understand it, digital is less apt to loose signal over a
distance than analog and that insulating the digital cable is more of a
concern. Is this why there seem to be less choices or have I overlooked
something?
I am looking at Audio Alchemy gear right now as a possibility.
Although having very weird demensions and being butt ugly, they have really
made a name for themselves in the digital field with $ensibly priced higher
end equipment. I am just used to the old "big iron" days where butt ugly was
allowed and even desirable in high end, but it had to be big....naw..very big
and weight more than 50 pounds(US) per piece of equipment to be even
considered "good". Audio Alchemy has numerous products that measure 8 inches
wide and weigh less than most speaker cables. Combine these with the new
speakers Carver is working on and we will end up with huge high end sound
coming from a clock radio, two strings and two soup cans. SOmehow it wouldn't
be the same.
Happy Thanksgiving!
--- Maximus/2 3.01
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* Origin: The Union Jack BBS, Phoenix, AZ, USA. 602-274-9921 (1:114/260)
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