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| subject: | Re: WGA Strike 90%+ vote to strike |
On Oct 28, 6:13 pm, "John W. Kennedy" wrote: > David E. Powell wrote: > > On Oct 26, 10:45 am, "John W. Kennedy" wrote: > >> David E. Powell wrote: > >>> On Oct 23, 4:08 pm, "John W. Kennedy" wrote: > >>>> David E. Powell wrote: > >>>>> Dude, Fox News hardly has a monopoly even if they got caught in some > >>>>> fabrication. Actually fake documents sounds more like the CBS story > >>>>> that left Dan Rather in trouble. > >>>> The only /proven/ falsifications in that affair were those coming from > >>>> the ignorant (or lying) "experts" who claimed that typewriters available > >>>> in the 70s couldn't do proportional type. Hell, my father's secretary > >>>> had a proportional-spacing typewriter in the 50s. > >>> Check out the comparison, font for font, with a modern computer using > >>> MS software at this link: > >> That has nothing to do with the fact that these people /provably/ either > >> lied about 70s typewriters or lied about being typewriter experts. > > > How rare was any sort of typewriter that did that, compared to common > > office models then? > > I have no idea, but they were regular IBM catalog items. However, even accepting that premise, I do not believe they were anywhere near as common as manual typewriters, and have yet to see any analysis of how their type set and font compare to the modern. If there was an argument to be made that they compared favorably, given the stakes invested in the story, I would have expected to see that. The only reason I can see that CBS did not release anything like that given said circumstance is that it would not be favorable to CBS. More font analysis between period typewriters and the documents is at: http://www.lesjones.com/posts/cat_media_behaving_badly.shtml DefeatJohnJohn slogged through the IBM Selectric Composer manual. Conclusion? It could make superscripts and subscripts, but couldn't reduce the size of the superscripted and subscripted letters, as seen in the CBS Killian document. (Image at site) WizBang points to the Selectric Typewriter Museum, which has this to say: For those who want my opinion...the documents appear to be done in Word, and then copied repeatedly to make them "fuzzy". They use features that were not available on office typewriters the 1970s, specifically the combination of proportional spacing with superscript font. The IBM Executive has proportional spacing, but used fixed type bars. The Selectric has changeable type elements, but fixed spacing (some models could be selected at 10 or 12 pitch, but that's all). The Selectric Composer was not an office typewriter, but apparently did use proportional spacing. These were very expensive machines, used by printing offices, not administrative offices. ... >From Wikipedia: http://en.wikipedia.org/wiki/Rathergate#Authentication_issues Authentication issues Main article: Killian documents authenticity issues No generally recognized document experts have positively authenticated the memos. Since CBS used only faxed and photocopied duplicates, authentication to professional standards is impossible, regardless of the provenance of the originals. Document experts have challenged the authenticity of the documents as photocopies of valid originals on a variety of grounds ranging from anachronisms of their typography, their quick reproducibility using modern technology, and to errors in their content and style.[69] Other commentators disagreed. Dr. David Hailey, director of the Interactive Media Research Labs in the English Department of Utah State University has argued that the Killian documents were produced on an unspecified typewriter, though he does not assert their authenticity.[70] The CBS independent panel report did not specifically take up the question of whether the documents were forgeries, but retained a document expert, Peter Tytell, who concluded the documents used by CBS were most likely produced using modern technology.[71] Tytell concluded ... that (i) the relevant portion of the Superscript Exemplar was produced on an Olympia manual typewriter, (ii) the Killian documents were not produced on an Olympia manual typewriter and (iii) the Killian documents were produced on a computer in Times New Roman typestyle [and that] the Killian documents were not produced on a typewriter in the early 1970s and therefore were not authentic. For a detailed analysis of these issues, see Killian documents authenticity issues. > > Computerized typewriters were not the majority by > > any means. > > Computers have nothing to do with it; these were just improved electric > typewriters that did their magic with ordinary cams, gears, and levers. > As I said, my father's secretary had one back in the 50s. OK. So this would have been electronic switches, etc. rather than a modern computer. Still, I would want to see a comparison of fonts to confirm if such a machine could have bene used to type them, and if so how to prove their authenticity. Given the resporces CBS has at its command, I would think that if this was possible they would have done it and been very public about it given the stakes. The question I don't recall anyone out in the media following up on regarding the story was that whoever might have been involved in feeding CBS the documents, if they were badly done forgeries, ended up leaving CBS to hang out to dry on the bad info. I'd think the media would want to look at that so as to watch for similar moves in the future from sources with faulty info. > -- > John W. Kennedy > "There are those who argue that everything breaks even in this old dump > of a world of ours. I suppose these ginks who argue that way hold that > because the rich man gets ice in the summer and the poor man gets it in > the winter things are breaking even for both. Maybe so, but I'll swear I > can't see it that way." > -- The last words of Bat Masterson- Hide quoted text - > > - Show quoted text - --- SBBSecho 2.12-Win32* Origin: Time Warp of the Future BBS - Home of League 10 (1:14/400) SEEN-BY: 10/1 3 14/300 400 34/999 90/1 106/1 120/228 123/500 134/10 140/1 SEEN-BY: 222/2 226/0 236/150 249/303 261/20 38 100 1381 1404 1406 1410 1417 SEEN-BY: 261/1418 266/1413 280/1027 320/119 393/11 633/104 260 262 267 690/682 SEEN-BY: 690/734 712/848 800/432 801/161 189 2222/700 2320/109 200 2905/0 @PATH: 14/400 261/38 633/260 267 |
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