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| subject: | TALKING BOOKS |
-=> Mike Ross said to Greg Mayman -=> about "TALKING BOOKS" on 12-19-02 14:44..... MR> I found a little program called Music Studio which is very good with MR> musical notation. Not to argue but I think it's better than CW at it. MR> I tried another called Voyetra Digital Orchestrator but it too isn't as MR> easy as Music Studio with musical notation. There is a shareware DOS prog called MUSICESE that is very good. One of my friends liked it so much he registered -- US$35, IIRC. GM> Ah, well, he can probably afford it... MR> Ouch just the same... This character has a wife who once boasted that she believed she had more money put away than all the people at the table put together. This was in the middle of a non-specific conversation about superannuation, pensions, and the like. She's always boasting about their overseas holidays, and so on, to us people who haven't got enough spare cash to take a weekend in the country. If he wants to waste her money, good for him, is all I can say MR> Oh, that is some feat alright. The only thing I can do really easily MR> is read a MID file and then separate the tracks into musical staffs for MR> printing but I guess that's a given. But to actually pick out an Yup, me too. MR> individual instrument from a busy recording is quite astounding and MR> that seems to me even harder than voice recognition!!! Maybe I'm MR> wrong... I suspect it might be easier. All you have to do is pick out frequencies that have harmonically related overtones. This will usually indicate that it is the output of one instrument. Even two instruments playing in unison would be slightly different in pitch, which would allow you to separate them in an analysis. I gather something like this was done with old recordings of* Origin: Braintap BBS Adelaide Oz, Internet UUCP +61-8-8239-0497 (3:800/449) SEEN-BY: 633/267 270 @PATH: 800/449 1 640/954 774/605 123/500 106/1 379/1 633/267 |
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