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| subject: | Undiff Amp |
BL> ... HINT: why doesn't line 2 have some B and Line 1 some C? RM> Is this relevant in some way? Doing that doesn't alter the RM> original problem at all. Or am I missing something that you RM> learned in your recent NDE? BL> No... NDE is not necessary. It's something I learned in 40 BL> years as an electronics engineer, something you seem to have BL> missed, RM> WHAT, exactly? I still don't get it. ROFL! BL> you'll perhaps see that your arithmetic really has nothing to BL> do with what Chris has in mind. RM> As far as I can see, a set of simple equations explains the RM> problem more concisely and clearly than any amount of blather. RM> I still don't get you. Please elaborate. Ask Chris. He now understands. If you stand a singer between two stereo microphones onstage, the singer-signal at each microphone is almost the same in phase and amplitide, and if you feed both into a differential amplifier they cancel and the singer disappears. What Chris suggested was the reversal of this, using a common-mode amplifier rather than a differential amplifier! ROFL! This is plain silly. It's a howler! It the sort of thing a raw beginner suggests. It sort-of makes sense if you don't think about it... and you didn't think! It sort-of seems that common-mode is the opposite of differential. What he wants is an amplifer that cancels everything that isn't the same! ROFL!! You compare two signals and if they're not the same they cancel! Just invert one side? ROFL!! I led Chris gently towards realisation but when you came on with your pedantic "basic theory" explanation I could not resist twitting you. But I don't want to think about it from your point of view. It makes my head hurt. I keep thinking an amplifer that cancels everything that wasn't the same would eat the World. Regards, Bob ___ Blue Wave/QWK v2.12 @EOT: ---* Origin: Precision Nonsense, Sydney (3:711/934.12) SEEN-BY: 711/808 934 712/610 @PATH: 711/934 |
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