-=> Quoting Roger Fingas to Lee Jackson <=-
 LJ> That's more action based, and doesn't really require a complicated 
ixing
 LJ> system.  Set a threshold, below which you get a clink, and above which 
you
 LJ> get an imploding tube.  That's pretty close to the way it works in real
 LJ> life.
 RF> Ah, but what's important is that DreamWorks is using physics
 RF> equations to modify the sounds in the regions below and beyond that
 RF> threshold.
Quite possibly a waste of CPU time.  We'll have to see.  Anyway, I can see
better uses for the same CPU cycles, such as real-time decoding of distance
and positioning based on real-world acoustics.  It's a trade-off when
you're talking 1st person perspective/6 degrees of motion shooters.
 RF> Broody herr!  ;)
You want an argument?  Oh, I'm sorry, this is Abuse!
    -Lee
... This looks like a job for...Bicycle Repairman!!!
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