Review:

A touch of humor invades 'Star Trek Beyond'
by JAKE COYLE, The Associated Press


In the previous "Star Trek" installment, Spock cried. In the
latest, "Star Trek
Beyond," he laughs. And not just a little snicker, either, but a belly-full
one.  What bold explorations into the farthest reaches of the galaxy hold for
Spock no one knows. A sigh? A hiccup?

"Star Trek Beyond," like most of the rebooted properties flying around our
movie theaters, delights in nostalgically resurrecting iconic characters and
tweaking them anew. The balance is a delicate one, as seen in the pre-release
debate around this film revealing Sulu (John Cho but formerly played by LGBT
icon George Takei) as gay.

The scene in question turns out to be a mere moment, lightly handled, showing
Sulu greeting his same-sex partner and their daughter after a long mission.
It's all expressed with just a few arms tenderly draped across shoulders.  And
it's the kind of welcome touch that director Justin Lin, the "Fast
& Furious"
veteran who takes over for J.J. Abrams, has brought to this pleasingly episode
-like installment.

The opening scene, fittingly, plays with a smaller scale. Captain Kirk (Chris
Pine),on a diplomatic mission, appeals to a snarling beast looming above him
in a crowded amphitheater. Enraged at Kirk's offer, the alien beast hurtles
down upon him, only to turn out to be no more monstrous than a feisty bulldog.

The film finds a bored Enterprise finishing up a five-year tour in deep space.
The (albeit brief) change of pace is immediately appreciated. The last two
beefed-up "Star Trek" movies, as if overcompensating for decades of Trekkie
nerd-dome, threatened to make the once brainy "Star Trek" less
distinct from
other mega-sized sci-fi adventures — just another clothesline of CGI set pieces
strung together.

Like its recent predecessors, "Star Trek Beyond" is mostly an assortment of
effects-heavy scenes with bits of talking in between. But unlike the previous
film, 2013's bloated "Star Trek Into Darkness," not everything is
quite so much
of a life-and-death issue (the exhausting de facto pitch of today's summer
blockbuster).

The Starship Enterprise, led by Captain Kirk (Chris Pine, looking more natural
in the role), is lured through a nebula where a would-be rescue mission turns
into a trap set by the villain Krall, whose spectacular army of mechanical
drones ("bees" he calls them) attack in an overwhelming swarm. 
In a galactic
blitz, the Enterprise is torn to shreds and crashes down on a rocky planet
where the ship's scattered crew tries to gather, survive and understand Krall's
motives. A local becomes an essential guide for them: Jaylah (a nimble Sofia
Boutella), a pale loner with black streaks running down her face who helps the
crew discover the Federation's history on the planet.

The backstory, though, never quite gets filled out, and the plot serves as
little more than a mechanism to test the efficient camaraderie of the
Enterprise crew.  Among them: Zoe Saldana's Uhura, Simon Pegg's Scotty, Karl
Urban's Bones and Chekov, played by the late Anton Yelchin, a fine actor who's
disappointing underused here.  They're an entertaining enough bunch meandering
around, and screenwriters Doug Jung and Pegg (who, as the writer of
"Spaced,"
knows plenty about the intersection of comedy and science fiction) have
injected some humor to the proceedings.

The heart of the film, though, like the previous two, is the bromance between
Kirk and Zachary Quinto's Spock. They're Felix and Oscar in outer space, and
still the highlight of this batch of "Star Trek" films.

It's only late in the film that the alien mask is pulled away revealing the
actor underneath Krall: Idris Elba. For those who didn't place his baritone
earlier, the reveal comes as a disappointment. It should be a crime in deep
space, as it is on Earth, to shroud such a tremendous force behind mountains of
extraterrestrial makeup.  But I suppose had Elba been an unadorned baddie all
along, the Enterprise might really have finally met its match.

"Star Trek Beyond," a Paramount Pictures release, is rated PG-13
by the Motion
Picture Association of America for "sequences of sci-fi action and
violence."
Running time: 122 minutes. Two and a half stars out of four.



 -=>  Al Kaiser  n1api{at}cox.net  <=-

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