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| subject: | exploding CDs |
----------exploding CDs RJT> > Yeah, the record companies probably look at this > as a way to sell more stuff. But once you've > bought a copy, you have the right to enjoy it, right? > They'd like to change that. Remember DIVX? The > "pay per viewing" DVD-like gizmo? When you bought > a disk, you got some number of "free" viewings. > But only on *your* machine. Try playing it on a > friend's and you had to use a credit card to pay > for it and "authorize" it. > And when your "free" viewings ran out on your > machine, you had to buy more. > They've got similar schemes they'd like folks to > buy into for downloaded music. > Basicly, they want you to have to pay for every use. That's interesting -- I hadn't heard of that specific one before. Here's another example along those lines. When, a few years back, the visual and audio media folks first started developing these various schemes to extract as much moola from you and me as the market could bear, the print media folks [book publishers, that is] tried to get in on the action too. This was after the publishers had already jacked their prices sky-high and they felt threatened by all the second hand book stores that suddenly popped up as a result of those prices -- bookstores from which they, the publishers, derived no profits. So. Some reporter attends a publishers conference where the discussions centered around -- get this -- how to manufacture a book that would only last for one or two readings -- and therefore couldn't be resold in a second hand bookstore. How to do this? This gets bizarre. They had people from the printing industry there at the conference discussing, amongst other things, stuff like very degradeable paper and fading ink, but they came to the conclusion that the solution was the glue -- a glue that would hold the pages together only temporarily! They supposedly abandoned doing all this, but now, when I buy some paperback and the pages start popping off the spine as I read, I wonder if they really went ahead with that scheme. Sheesh. Was it it here in this echo that someone was extolling the beautifuuly produced technicnal books of the past? --- Maximus/2 3.01* Origin: Juxtaposition BBS, Telnet:juxtaposition.dynip.com (1:167/133) SEEN-BY: 633/267 270 @PATH: 167/133 379/1 106/1 2000 633/267 |
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