>>> Part 2 of 2...
It all depends on how high you set the gain. Compression is good to the
extent of leveling your audio when you move from 1 inch to 6 inches from
the mike, however I definately would NOT have it so high that it picks
up the coo-coo clock in the next room, the TV/radio 2 rooms away, the
kids screaming in the yard or grandfather's belching. :-}
And the term "audio processing" can mean a lot of things!
JE> Better energy and effort would be put into a passive filter as you
JE> said (around 3.1 kHz) at the output of the speechamp along with a
JE> little negative cycle loading, to prevent exceeding 100% modulation,
JE> on the negative cycles (near the baseline of the carrier)
Agreed.
II> Beyond that, a good-quality AF amplifier should be all you need.
JE> Using a Bogen PA system, highly modified. Introduced another 20db of
JE> inverse feed-back, reduced the plate voltage to around 250v, and took
JE> the audio straight off the plates of the output tubes, through a .5uf
JE> cap, at 500v, to a hi-Z choke, straight to the bases of a pair of ECG
JE> 164's. They were configured in an emitter follower circuit, and the
JE> emitter outputs are directly connected to the grids of the modulator.
II> Assuming you aren't severaly limited by finances, I
II> would suggest transformer coupling for the modulator
II> input and output.
JE> Such conventional thinking, Ivy. ;-)
Perhaps, but how do you think AM BC stations do it, and they HAVE to be
flat with under 1% THD up to 20 KHz at all modulation levels up to 100%?
One of the jobs I have had is transmitter engineer for a 50 KW AM BC
station, (KXEL), and they used a pair of HUGE air-cooled tubes, (finned
plates at least 2 1/2 Ft. diameter), push pull for a modulator, driving
another pair of the same type tube as a final. The modulation
transformer, (in the back room), was at least 6 Ft. X 6 Ft. X 8 Ft. high!
25 KW of PERFECT audio... I bet the rock concert promoters would LOVE
it! }:->
JE> Do you have internet access? if so, check out the 'work in progress'
JE> at http://www.qsl.net/wa5bxo/driver1.html
Sorry, no got. :-<
II> Are you planning to use solid-state or hollow-state for the
II> audio up to the modulator?
JE> The old Bogen PA gear, has nice seperate bass and treble controls, 2
JE> seperate inputs, each with it's own 12AX7...
...
JE> The idea is, transformer coupled audio to the grids, is 'lacking' in
JE> depth and presence because the secondary of the output transformer is
JE> near saturation, already. The hysteresis loss in the transformer is
JE> such that the quality of audio that comes from the speech-amp, no
JE> where near matches that of the output of the speech-amp.
Guess that's why KXEL had such a big transformer... LOTS of iron - takes
a LOT to saturate it! Though I would imagine that since the modulator
is push-pull, that should reduce the saturation problem if not eliminate
it alltogether.
JE> The solid-state, directly connected, Class B / AB1 driver circuit
JE> eliminates all that.
I suppose so.
II> Please keep me informed on how it's going.
JE>
JE> I've already used it before, on this rig, using a pair of 810's to
JE> modulate the 250TH's with ... and I'm sure that with the audio
JE> driver circuit I'm describing here will more than be adequate for four
JE> 811's in push-pull, parallel, should I ever want to 'go for broke'
JE> };->
Heh heh... 10-4, good buddy! :-]
73 DE KB9QPM
Ivy
... Keep the shack warm: Run radios with tubes!
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