On 04-02-97 GEORGE ERDNER wrote to SCOTT R. GODIN...
GE> Because too many of the people who made up Gentle Giant have retired
GE> from music.
Actually, only Derek has retired as a musician, though as
a record company exec he has hardly retired from music.
He gave us Jon Bon Jovi and Cinderella and a few other
monstrosities. Mind, he's not as thin as he used to be.
Phil Sulman wants to come out of retirement to do the
project.
IAE, IMHO, I would rather see a new Kerry Minnear solo
album with support fom ex-Giants than some reformed Giant
album. Few die-hard GG fans agree with me, tho.
GE> Would "Days of Future
GE> Passed" have sounded better if the Moodies would have used the
GE> Festival
GE> Orchestra on the songs themselves, instead of just as bridges between
GE> the songs? Or does the synthetic nature of the Mellotron add an extra
GE> sonic dimension that is an improvement over the sound of the actual
GE> instruments?
Definitely. Tron rules. The real orch would just sound
cheesy.
GE> Or how about, would the music of Yes have sounded better if the lead
GE> singer's voice weren't so thin and reedy?
At least his voice wasn't as thin and reedy as the
back-up singers. No, what makes the vocals is Anderson's
hard pronunciation of the letter "r" which is only found
in a few places in England.
GE> Would a vocalist with a more
GE> full-bodied voice, like Ian Gillian, have improved the music, or
GE> detracted from it?
Or someone like Trevor Rabin?
GE> Better yet, what about if Annie Hallam (lead singer
GE> of Renaisance) had done the vocals?
Not feminine enough.
GE> Or is the tonal quality of the
GE> singer's voice as important to the overall sound of the music as the
GE> choice of instrumentation?
I though the key factor was the singer had to be a
vegetarian, which is one of the reasons they never asked
Ted Nugent to do the job.
Cheers,
Kenneth
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