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| subject: | Musical Glossary... 1. |
I'm addressing this to you Richard, because I pick on Ardith too much. It applies equally. -=> Ardith Hinton wrote to Richard Webb <=- AH> Hi, Richard! Recently you wrote in a message to Ardith Hinton: AH> Improvisation -- what we do when the music falls down RW> Also what we do when we're running out of songs to play RW> and want to make them last longer. AH> Yup. :-) "Where's that confounded bridge?" AH> Chords -- something organists play with one finger RW> Depends on the organ I guess, but never was able to do that RW> with a Hammond b-3 (and glad that wasn't available there.) AH> I imagine you know more about such things than I AH> do! The definitions were meant to be taken with a grain of AH> salt, however, and this was the first in a group of three AH> which IMHO made a rather nice parallelism... [chuckle]. MOD: Chords -- something accordionists play with one finger PS: I just read your next post, so the MOD stands. AH> Time Signatures -- trivial details often irrelevant AH> to drummers RW> WOrked with a few who resembled that remark . I RW> endeavor not to. RW> For drummers for whom that was true often dynamics are RW> trivial as well. We get all the blame, even if it *was* the base player/horn section! AH> Some people may be attracted to certain instruments because AH> they like making a lot of noise and/or because they believe AH> (erroneously) that they won't have to work as hard as AH> others do. I've known folks who took up drums in order to AH> avoid learning to read music... I've known folks who took AH> up the sax because they thought it would be easier than the AH> clarinet... and I knew one who took up the trumpet because AH> she thought it could play only three notes! As a teacher I AH> was often asked which instrument was easiest. My response AH> was "Whichever *you* want to play more than any other." I AH> figured they'd be having such a good time it wouldn't seem AH> like work at all. But whatever the reason(s) for their AH> choice people use an instrument in a manner which reflects AH> their personality.... :-)) I've mentioned here earlier to Ardith, that when I was a wee lad I saw these guitar players spend more time tuning their instruments than playing the ruddy songs. "Nope, I just want to play!" Then, I counted the lugs on my snare drum and later realized I had to double that number and adjust (mostly) all of those if my kick rattled the snares!!! !!! !!! Boy, did I pick it wrong! AH> Melody -- an ancient, now almost extinct art AH> in song writing RW> Oh yeah, that's for sure. Back when I was doing studio for RW> hire I did a rap album for a young man. Never again!!! AH> Uh-huh. Rap isn't my cup of tea either.... :-) Smartest entertainers of our days! As mentioned, who needs to carry a tune these days or even annunciate the "lyrics"? I've hated on the current state of "popular" music for years, but George Clinton said it best. In a mumble, "Whatever you say - and we tried - Rap music brought blacks and whites together for better or worse." (Paraphrased) RW> Then there was the alternative band, not bad melodies, some RW> good words, but they wanted to run their vocals through RW> these awful guitar stomp boxes and a guitar amp and have RW> that track dominate over the actual capture of the singer's RW> voice in the room. I mentioned Shirley Manson last year, and that band Garbage fits that description *exactly*. A couple of compatriots were extolling how they would run the snare drum through a Sans Amp, and Fuzz Box the electric keys, bla-bla-bla. Shirley has a great instrument, but the "producers" (Four or five of them rounded out the rest of the lineup.) wet dream seemed to obfuscate it every chance it could. Now, Shirley's no Patsy Kline but she has plenty to offer. Had it not been for those boys that discovered her, we would likely never know her name but, I'd still love to hear her do a duet with The Holly Crow Trio. ... A backward poet writes inverse. ___ MultiMail/Linux v0.49 --- Maximus 3.01* Origin: -=-= Calgary Organization CDN (403) 242-3221 (1:342/77) SEEN-BY: 10/1 11/200 331 14/400 34/999 123/500 128/2 187 140/1 222/2 226/0 SEEN-BY: 230/150 249/303 250/306 261/20 38 100 1381 1404 1418 275/91 280/1027 SEEN-BY: 393/68 396/45 633/104 260 267 712/848 801/161 189 2320/105 5030/1256 @PATH: 342/77 140/1 261/38 633/260 267 |
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