On 08-18-96 CLARK RAY wrote to KENNETH NEWMAN...
CR> Actually, I quite like _Islands_ except for the "The Letters."
FWIW, I love _Islands_. I think it's a wretchedly bad
album, in poor taste. No, that's too mild. It's in
egregiously execrable heinous bad taste, a taste Dunkirk,
a taste Jonestown, a free-floating disaster of a taste
tragedy. Part of what makes it so exquisite is the
unself-consciousness of the bad taste, which truly sends
it into hochkitsch. I'll probably go to hell for liking
it, but I can't resist.
"Gulls" is like some monstrous Prog Ketelby, oddly
appropriate to the Dorset area where Fripp is from, and
still is for that matter, though that's more of an
explanation than an excuse. It's sentimental, rigidly
formal, unsophisticated yet pretentious, tedious, and
treacly mawkish sweet, but too innocent to be called
twee. In short, the piece is Fripp personified, at least
back when he had a 'fro.
I love Boz's lisping enunciation of Sinfield's lyrics. No
one else IMO ever really captured the lisping gestalt of
Sinfield's stuff like Boz, the non-singing,
non-bass-playing yobbo (I love the single name, so Old
Testament) that Fripp created to sing and play bass in
his hippy band. And yet the bass playing is oddly
compelling, especially on "Sailor's Tale" but it's
similarly interesting on other cuts if you listen
closely. Wallace does as good an imitation of Giles as
Collins does of McDonald. Perhaps the best playing is
from the sidemen that Fripp knew from the Centipede
project: Harry Miller, Keith Tippett, Marc Charig,etc.
All in all a beautiful experience. But don't quote me on
that. The definitive edition CD sounds great, BTW, better
than the 8 track. :-)
Cheers,
Kenneth
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