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echo: philos
to: WILLIAM ELLIOT
from: CLARENCE HOGAN
date: 1998-01-24 15:10:00
subject: Metal Sculptures

 -=> Quoting William Elliot to Clarence Hogan <=-
 >>> Clarence Hogan on Metal Sculptures 
 
 WE> This wasn't a cute Cupoid tale, but an opportunity to Pan you. -) 
 CH> OH!  OK white boy!  :()
 WE> What you's talking race?  Is you white Christian or is you black
 WE> Christian or is you merely gray agnostic? 
 
 I got's room cause I is a white (pink) boy too!  :)  I'm completely
 color blind except to blood and ALL blood is red, is it not?  :)
 
 WE> Hm, must have missed your alternative adulterated alliteration.
 CH> Nope, you didn't miss it, cuz I left it out on purpose!  :)
  
 WE> There ya go again, with a purposely proposed pretension. -)
 
 Makes it more interesting, does it not?
 WE> Indeed, metal sculptures are my favorite.
 
 CH> What tunes do you play?
 
 WE> If you lucky you get five tones all within reach and all sounding
 WE> good.  The limits imposed by reaching around have much to do with what
 WE> can be played.  Also the notes aren't usually in any scale.  The point
 WE> is not tune but rhythm.  Finding four of five good tones is like
 WE> tuning four of five drums, but as the arms and legs have to reach
 WE> those locations, rhythm becomes the drive.  Once you get it a
 WE> bouncing, whoop ya up some tuning. 
 
 Sounds about right!  :)
 WE> Now you got me jamming, me gets a few buddies about a large sculpture
 WE> and we start a hoppin' and athumpin' and bumpin'.  Why shucks, were it
 WE> near a bus stop we'd nearly miss our bus. -) 
 
 You ain't got none of them rose colored square glasses, have you?  :)
Just another humble servant of The Kingdom.......clarence.......
... Windows upgrade installed:  Press your luck to continue!  >:->
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